"Oh dear, yes!" said Owen. Fleda was so far from a wish to triumph that she was absolutely ashamed of having anything to say for herself; but there was one thing, all the same, that not to say was impossible. "That he has done it, that he couldn't not do it, shows how right I was." It settled forever her attitude, and she spoke as if for her own mind; then after a little she added very gently, for Mrs. Gereth's: "That's to say, it shows that he was bound to her by an obligation that, however much he may have wanted to, he couldn't in any sort of honor break."!

"Did he tell you so?" Fleda asked. "Now?" Magnificent was the sound Mrs. Gereth threw into this monosyllable. "And pray who's to take you?" Fleda gave a colorless smile, and her companion continued: "Do you literally mean that you can't put your hand upon him?" Fleda's wan grimace appeared to irritate her; she made a short, imperious gesture. "Find him for me, you fool—find him for me!"

Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied. These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" The other visitor meanwhile turned to Fleda. "What is Mrs. Gereth going to do?"